mandag 28. april 2014

RUSSIA - I

Back row, right. This is me. It is late summer 1991, and a group of 7 Norwegian studens are at Arlanda airport, on their way to spend one year as as exchange students in the Soviet Unions. My town was Krasnodar, a Russian town of 700000 inhabitants, a bit east of the Black Sea, close to the Caucasus mountains.

I have no idea what I am doing!



Whenever I am asked why I chose to go to Russia, I answer that I have no idea. Like a lot of youngsters at my age, I wanted to go to USA, but not long before the final decision was made, some representatives from AFS informed us that they were going to send students to Russia for the first time ever, and maybe that would be interesting for me? I remember that I thought it was a pretty bad idea, while my parents thought it was a pretty good idea. Than a some point, our opinions changed. My parents came to think that it was a pretty bad idea, while I came to think it was a pretty good idea. Why this change came to happen, I do not know.

I remember leaving Trondheim on the train. I don't remember if I was nervous or not. I waved goodbye to my parents, who looked infinitely more nervous than me, and sat down to read a book.

What did we know about Russia? I remember having discussions in class at secondary school - which was some 5 years earlier - about the possibility of nuclear war. We were about 13-14 years old and had pretty much no idea what we were talking about. We were not really afraid, but we were still late children of the Cold War.  And I remember that opening of the Berlin Wall in November 1989, I was at the cabin with my parents, glued to the TV screen. And not a single awake person in Norway did not know who Mikhail Gorbachev was.

And still we knew approximately nothing about what Russia really looked like, what people were like, how they lived, habits, clothes, family traditions. Not only did I - an 18 year old boy - know nothing, but I understand that also my parents knew absolutely nothing, which was probably the reason they in the end tried to convince me the idea was not so good. I am still wondering why they let me go at all - probably they understood that - despite the risks - this might become an unbelievable experience. Before we left, I was writing a little bit back and forth with my host family. They sent postcards from Krasnodar and wrote a little bit about themselves (I later found out that I had actually been writing with ANOTHER family) - that they were a "typical middle class family". I came from a typical middle class family in Norway. A typical Russian "middle class family" was not the same as what we defined as a Norwegian "middle class family."!

Sheremetevo airport in Moscow was our first meeting with the Soviet Union. Passport control. We were standing in endless lines in a tight underground corridor to have our passports checked, and they were checked by soldiers with guns, but absolutely no smiles. A girl in our little group had changed quite a lot (!!) since she took her passport photo, he looked in disbelief at her face, at the photo, back and forth, and then disappeared. He came back with an officer carrying a machine gun (sic), they discussed the passport back and forth for minutes, before they let her pass. It was an experience scary as hell.

Small jump ahead: My host family consisted of a grandma, parents and two children. They had a son that moved for a year to France not long after I came, and then there was my host sister. She was 5-6 (?) years younger than me, desperately sad that her older brother went away, and not overly happy that another boy came into the family. She became my very best friend. We had little or no common language the first days. My host brother spoke some French and a friend of his that visited the family a lot spoke quite well English, so he helped me a lot. Besides from that, it was a lot of pointing, drawing and waiving hands. I remember one of the first evenings - they served chicken, and as I was not completely sure how chicken was eaten in Russia, I grabbed the fork and knife by the plate (so, Russians would eat chicken with knife and fork... Weird, but OK) and awkwardly started eating chicken with knife and spoon - as did everyone else. It was not until the end of the year that I learned that they would never had eaten with knife and fork, but they were not sure what Norwegians did. And as I grabbed the utensils, so did they.. :D

I had the most fantastic host family, understanding, explaining, caring! They gave me all the best they could give, they never scolded me for they stupid things I must have done, they gave me all the love and support you could hope for from a family.

And so it started....

After I came back from Russia, I continued studying Russian language, literature and history at universities in Norway. For different reasons it never led to a profession connected to Russia, and I have only returned to Russia once since then. But, I doubt that I would have been living in Lithuania now if it had not been for that experience 23 years ago - I somehow feel that history has taken a turn and has caught up with me.

We lived for half a year in the Soviet Union, half a year in Russia, and we experienced through some pretty dramatic events the fall of the Soviet Union. 


MALLORCA
















mandag 7. april 2014

Like water after the desert

It was like finding water after being in the desert for far too long, except that I did not know that I had been in the desert. I did not know how thirsty I was until I got something to drink. And I did not know how much is missed art until it was there in front of me.




I cannot remember when I was last at a museum, but we went to the Es Baluard Museum in Palma today, and suddenly I became completely overwhelmed. Seeing the drawings of Joan Miro - drawings that many maybe would dismiss as worthless scriblings - was such an eye-opener.  It was like suddenly drinking water after being in the desert for too long - except that I did not know that I was thirsty. I came out of there feeling refreshed, with my mind being scrubbed and cleaned, at the same time fulfilled, but also with a need to see more art, to collect pictures, to find out what appeals to me or not, and to find some way to merge the art that I am sometimes doing myself  (but that too often feels not like art but like work and concentration) with other artistic expressions.





Why are Miro's drawings art? I don't know! I really don't know, but I started wondering about it in the museum. I know that Miro is a famous painter, but I have to admit that I had little or no experience with his art. The closes I get in genre is Picasso - whom I love. But I know that Miro is famous, and I was wondering for a second if this knowledge - and the expectation of seeing great art - automatically made my mind interpret these drawings as - and see them as -great art. Would I have seen the same if someone had told me they were made by a young child or a drunkard. I honestly do not know. But there is also something that I OBJECTIVELY admire in the paintings: The assuredness of the lines and shapes, the perfect balance in how the surface is covered with colors and weight.

Many of this strange drawings give me much, much more than a painting that is "perfect" in the sense that every brush stroke is there, finished, or a painting that gives a clear visual representation of an object - like an elk in sunset. They make me wonder what the painter could see or wanted to tell, they make me probe myself to "see" something in the pictures. And that is what art is,I guess, something much more than a representation of the existing, but an interpretation, a de- and re-construction. And art is maybe the constant question of what art is.

I was standing in front of these Miro-drawings and feeling really happy and joyful. They provoked me to try to find out why I liked them, why they made me happy and why they so clearly are art to me. I have been so busy with other things that it has been far too long since I have been standing in front of a picture like that, allowing it to capture me.